Critique on tiwa savage koroba music video

Laura Mulvey's theory of the male gaze says that media often shows women as objects to be looked at, rather than as active participants. In the case of Koroba, even without male characters, the camera still focuses on Tiwa Savage's body in a way that makes her a visual spectacle, rather than showcasing her talents or agency. This can make the viewer see her as an object to look at, rather than as a person with her own story. The camera in the video focuses on Tiwa Savage's body, using techniques like low angles, slow motion, and close-ups to emphasize her physical appearance. This makes her seem more like an object to look at, rather than a person with her own control or power over her own story. The way the camera lingers on her curves, outfit changes, and movements suggests that her physical appeal is being prioritized over her talents or message. Even when she's surrounded by other strong female elements, the camera's focus remains on her sensuality. This kind of camera work can shape how viewers see Tiwa Savage and other women in similar roles. According to Laura Mulvey's ideas, this kind of visual presentation can reinforce traditional ideas about women being objects for visual pleasure, rather than active participants who drive their own stories. Even though Tiwa Savage is a confident and talented performer, the way she's presented in the video might still be influenced by societal expectations of how women should look and behave. This can be seen as a way of objectifying women, where they might feel pressure to present themselves in certain ways to appeal to others. The way Tiwa Savage's body is presented in the Koroba video is not just about her gender, but also about her race and social class. As a Black African woman in the global music industry, she's representing a certain image of Black femininity that's being sold to audiences. Her fashion choices, which blend traditional and high-end styles, are carefully curated to attract attention and show wealth. The lyrics of the song, which talk about living a luxurious life and having material success, add to this image. The visuals in the video, with gold tones and palace-like settings, reinforce the idea that her worth is tied to her physical appeal and her ability to sell a certain lifestyle. This can be seen as a form of objectification, where Tiwa Savage's value is based on how she looks and what she can sell, rather than who she is as a person. bell hooks builds on Laura Mulvey's ideas by introducing the concept of the "oppositional gaze." This means that Black women can watch media critically, refusing to accept the dominant narratives that are often imposed on them. hooks points out that Mulvey's theory focuses mainly on gender, but doesn't fully consider the impact of race. By looking at the intersection of race and gender, hooks argues that Black women have been left out of media representation and subjectivity. This means they've been denied a voice and a presence in the stories that are told. The oppositional gaze is a way for Black women to resist these dominant narratives and create their own perspectives. It's a powerful tool for critical thinking and resistance. The video can be seen in a different way when considering bell hooks' ideas. Instead of just being a product of the male gaze, Tiwa Savage's confident and sensual performance could be a form of Black female empowerment. She's taking control of her own image and challenging traditional expectations of how women should behave. By being unapologetic about her sexuality, wealth, and ambition, Tiwa is occupying space in a bold way. This can be seen as a form of resistance to systems that have historically silenced or marginalized Black women. However, hooks would also caution that this empowerment might be limited if it's still driven by capitalist forces, such as the need for likes and streams, or conforming to certain beauty standards. This could mean that the freedom and empowerment Tiwa is expressing might not be as real or lasting as it seems. The Koroba video is complicated. Tiwa Savage is a strong artist, but the way the camera shows her might also be objectifying her. She's in control of her music and image, but the visuals focus on her body and sensuality. This mix of empowerment and objectification is tricky. Tiwa's confidence and control might be inspiring, but the camera's gaze can also make her seem like an object to look at. It's a nuanced issue, and people might see the video differently. But it's clear that Tiwa Savage is a talented artist navigating a complex industry. The question of who owns Tiwa Savage's image in the Koroba video is complex. On one hand, the video might be seen as objectifying her on the other hand, Tiwa's performance could be viewed as a powerful act of self-expression and resistance, challenging historical erasure of Black women. However, the influence of capitalism, beauty standards, and social media complicates the idea of true autonomy. The video is both a statement of empowerment and a product designed to sell and entertain.