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The Lions heart movie critique using four different lenses

Section A: Formal media analysis Cinematography The cinematography enhances the overall viewing experience. The camera work brings the story to lie by showcasing natural lighting. It also showcases the beauty of the Eastern Nigeria, the landscapes, the culture in a way that is vibrant and appealing to viewers. They employed the use of medium shots which is very effective as it draws the attention of viewers into adaezes emotional world and her environment alongside the people around her. The film style allows viewers feel like we're apart of the scene in the sense that it is realistic and helps build connection with the characters There is realism in the movie and the camera movement is stable and not overly dramatic which suits the storyline. Overall, the cinematography is a key element and helps create a sense of realism by showing us Eastern culture and behaviour which is unique and enhances the overall viewing experience Mise-en-scène The film contains both traditional and ...
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A Case Study of CNN's Report on the Lekki Tollgate Shooting

In October 2020, the world witnessed a significant event in Nigeria, known as the #EndSARS movement. The protests were against police brutality, particularly the Special Anti-Robbery Squad (SARS), a unit that had been accused of numerous human rights abuses. On October 20, 2020, a tragic incident occurred at the Lekki tollgate in Lagos, where security forces opened fire on protesters, resulting in casualties. CNN's report on this incident is a fascinating case study of how media can shape public opinion and how different groups interpret the same message in various ways. CNN's report on the Lekki tollgate shooting aimed to reveal the truth about the incident and demand accountability from the Nigerian government. The investigation used geo-located video, timestamped footage, and witness testimony to challenge the government's denial of military involvement and claim that there were no casualties. The report positioned the Nigerian army as aggressors who used lethal force on...
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A Formal Analysis of Peter Obi’s Presidential Campaign Poster

The Labour Party's visual strategy for Peter Obi's campaign was designed to counter Nigeria's identity-based politics. The campaign's visual elements, such as images, colors, and typography, were carefully chosen to convey a message of integrity, competence, and reform. The campaign's visual composition was structured to draw attention to Obi's image, with his portrait placed prominently on the left side of the billboards and posters. The use of white or neutral backgrounds created a sense of separation from the corrupt politics that Nigeria has been known for. The bold, uppercase fonts used for slogans like "A Better Nigeria Is Possible" conveyed a sense of clarity, urgency, and decisiveness. The color scheme was also significant, with red, white, and green being used to represent the Labour Party's branding and Nigeria's national flag. The green palette was particularly important, as it symbolized growth, renewal, and agricultural resurgenc...
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Critique on chief daddy using the maxist lens

Chief Daddy is a Nigerian ensemble comedy-drama that narrates the aftermath of a wealthy patriarch’s death and the ensuing scramble by his extended family, mistresses, and illegitimate children for a piece of his vast fortune. Beneath its comedic and dramatic facade lies a deeper commentary on Nigeria’s socio-economic structure. Using the Marxist theory we'll analyze how the film portrays class, wealth, labor, and inheritance, and to evaluate whether it challenges or glorifies elite privilege. Through a critical examination of commodification, class mobility, and economic inequality, this paper argues that Chief Daddy ultimately reinforces existing capitalist structures rather than interrogating them. From a Marxist perspective, the movie Chief Daddy portrays a strict class system in Nigeria. The wealthy Chief Beecroft represents the elite who own and control the means of production. His family, dependents, and workers are shown to be dependent on him and his wealth. When Chief Bee...
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Critique on tiwa savage koroba music video

Laura Mulvey's theory of the male gaze says that media often shows women as objects to be looked at, rather than as active participants. In the case of Koroba, even without male characters, the camera still focuses on Tiwa Savage's body in a way that makes her a visual spectacle, rather than showcasing her talents or agency. This can make the viewer see her as an object to look at, rather than as a person with her own story. The camera in the video focuses on Tiwa Savage's body, using techniques like low angles, slow motion, and close-ups to emphasize her physical appearance. This makes her seem more like an object to look at, rather than a person with her own control or power over her own story. The way the camera lingers on her curves, outfit changes, and movements suggests that her physical appeal is being prioritized over her talents or message. Even when she's surrounded by other strong female elements, the camera's focus remains on her sensuality. This kind o...
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Glo video critique using Laura mulveys lens

The Glo Nigeria "Feliz Navidad" video is a festive ad that celebrates Christmas in Nigeria. It's colorful and fun, showcasing Nigerian culture and music. However, even cheerful ads like this can have underlying messages that affect how we think about gender and power. According to Laura Mulvey's theory, mainstream media often presents women as objects to be looked at, reinforcing patriarchal views. This ad might unintentionally do the same thing through its visuals and representation. Mulvey' s main points: are 1. Camera's gaze: How the camera captures scenes and directs our attention. 2. Audience's gaze: How we're positioned to view and interpret the visuals. 3. Characters' gaze: How characters interact and look at each other within the story. Mulvey argues that these gazes often reflect a male perspective, where: - Men are the ones doing the looking. - Women are the ones being looked at, often as objects of desire or visual pleasure. - Women ar...
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Glo video critique using bell hooks lens

Bell hooks' work explores how factors like race, gender, and class intersect and impact how people are represented in media. She argues that systems of power, including racism, sexism, and capitalism, shape how identities are constructed and portrayed. The Glo video seems like a fun and festive celebration, but bell hooks' ideas encourage us to look deeper. While it features Black Nigerian performers and seems to showcase their joy and culture, hooks would argue that this representation doesn't necessarily mean they're being empowered. Instead, their presence might be used to make the brand look good and more relatable. Their bodies and movements are used to create a visually appealing image, rather than showcasing their thoughts, feelings, or agency. In this context, the video might be using Black women's images to enhance the brand's image and appeal, rather than truly celebrating or empowering them. The performers' joy and culture are being used to sell a...
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